Final Cut Pro

Sequence's ripple-by-default Reflow Timeline is the closest thing to the Magnetic Timeline you'll find outside Final Cut Pro, so its primary-storyline-plus-connected-clips feel transfers directly. Your keywording, favoriting, and multicam habits carry over too — this page covers the library, roles, and interchange differences you'll notice.

How Sequence maps to Final Cut Pro#

In Final Cut ProIn SequenceLearn More
Library — Events and ProjectsLibrary — Media, Timelines, and Collections tabs; the Timelines tab shows your project's Storytree
Magnetic Timeline — primary storyline + connected clipsThe Reflow Timeline — primary lane plus attached clips, live for every editor at onceTimeline overview and tools
Keyword Collections / Smart CollectionsThe Collections tab — auto-built from the tags, ratings, colors, and reactions your team appliesCollections
Favorite / Reject rangesSelects marked Favorite / Reject — a select is a named, marked rangeTag and label media
Roles (Video, Audio: Dialogue/Music/Effects)Component tracks — route each clip's audio to a named track rather than a rules-based roleWork with Component Tracks
Multicam clips, auto-synced by audio or timecodeMulticam timelines with angles, synced manually by placementSwitch multicam angles
Color Board, Hue/Saturation curvesInspector Color tab — wheels, LUTs, light and color adjustments; no curves or HSL secondariesColor grading overview
Share > Master FileExport Timeline — renders in the cloud as a background jobExport a timeline to video
.fcpxml interchangeGenerate Timeline Package — OpenTimelineIO, AAF, or legacy Final Cut Pro 7 XMLTimeline packages

Final Cut Pro 7 XML isn't Final Cut Pro's XML

Generate Timeline Package's XML option is the legacy Final Cut Pro 7 (XMEML) format that Resolve, Premiere Pro, and Media Composer read — not Final Cut Pro X's native .fcpxml. Bringing a Sequence cut back into current Final Cut Pro isn't a direct XML round-trip today.

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